Saturday, January 31, 2009

The Epicenter

We live in a region of Epicenters. Pakistan has now officially become the epicenter of terrorism. Afghanistan has firmly established itself as the epicenter of Tyranny and oppression. And while China and Japan are well on their way to becoming the epicenter of trade and technological innovation respectively, India is earning the dubious distinction of becoming the epicenter of Hypocrisy.

A few days back some ‘custodians of Indian culture’ were struck by a sudden fit of moral responsibility and members of an outfit called ‘Sri Ram Sene’ raided a pub in Mangalore attacking and assaulting its guests for apparently violating and desecrating the sanctity of ‘traditional Indian values’. The guests, especially women, were publicly humiliated, manhandled and allegedly molested and all this was caught on camera. As always, numerous political parties issued statements condemning the incident but unusually, there were more than a handful of big shots from the corridors of Power who in a sense condoned this atrocious act by placing the blame squarely on the ‘pub culture’, holding it responsible for ruining our society. It is extremely disconcerting to see people in positions of power endorse such senseless views and make such irresponsible statements, for such statements not only create social unrest but also act as impediments to development and modernization. Now before you jump on to the bandwagon of “the pub culture is not a measure of a country’s modernization”, please allow me to explain. Neither wireless internet nor Tequila nor trance is a measure of a society’s sophistication. The most accurate measure of a society’s development and modern outlook is the level of education prevalent in it. And the ultimate objective of education, as Lincoln once said is not, knowledge or wisdom, but tolerance. And, anyone who is incapable of being tolerant to ideas and ideologies that are alien or even unacceptable to him, incapable of acknowledging, accepting and appreciating another man’s point of view is uneducated irrespective of whether he is literate or not.

But the point in question here is why do I call India the epicenter of Hypocrisy? As I understand it, the prime concern of the extremists in our country is that the ‘pub culture’ is fostering promiscuity. That being the case, if these ‘embodiments of purity’ have such a problem with dance and discotheques how is it that they seem to have no problem whatsoever with sex and sleaze in bollywood. Surely, it must have some role to play!!! Afterall, more often than not, it is bollywood numbers that these people are dancing to. Well, the answer to that question is fairly simple. You can barge into any pub drag any random person out and do as you please under the pretext of morality and walk away scot-free after ofcourse some ‘rigorous investigation’. You, cant however, do the same to a Katrina Kaif or a Mallika Sherawat or anyone who belongs to the film fraternity simply because these people are not only wealthy, but are also well connected and if you tried the same with them, you might not get to see the light of the next day!! So, it is not so much an issue of morality as it is an issue of politics. And what adds fuel to the fire is the fact that all this is done either in the name of culture or religion or both since more often than not the two are intertwined. If there is anything that our culture teaches us, it is to be peaceful, tolerant and to live and let live. Apparently, our moral custodians have conveniently become oblivious to that. Ideally, the ones culpable for this outrageous act must be incarcerated and taught a lesson but it will come as no surprise to me if they are let off easily and come back again to strike another pub somewhere else in the country.

Monday, January 26, 2009

Act 1 Scene 1

If you live anywhere in India and happen to surf news channels even sporadically, chances are rife that you have heard about the buzz that ‘Slumdog Millionaire’ has been generating what with all the critical acclaim and the 10 Oscar nominations, not to mention the 4 Golden Globe awards. It then seems extremely ironical that most movie buffs (myself included) I speak to opine that although ‘Slumdog’ is a good movie, it is’nt what you would call a classic. What is even more surprising is the attention the music of the movie is drawing. Before you jump out of your seat in sheer outrage, let me make a disclaimer. I believe, A R Rahman is a genius. He is right up there with Al Pacino, Sachin Tendulkar and Zinedine Zidane. In a desert of mediocrity and banality he stands out as an oasis of excellence and originality. But even Rahman would admit that the “Jai Ho” track and the background score of ‘Slumdog’ are far from his best. In fact, I dare say, by anyone’s standards the music of ‘Slumdog’ can at best be described as above average. It’s the kind of music that Rahman could have made in his sleep. And anyone who is an ardent fan of A R Rahman would find it hard to refute this claim. The popular theory doing the rounds is that, although not scintillating, the music is good and since the movie is going places the music is sort of tagging along. But, I must admit, the success of the movie itself, in the first place, has intrigued me for neither the rags to riches storyline nor the victory of the underdog in the end is new to the world of cinema. In fact, these are the two pillars that most Indian movies brace themselves upon. The suggestion that nothing captures the attention and imagination of the west like a rather graphic and candid depiction of the deplorable living conditions of people in developing countries seems both weak and unsubstantiated. Although, history has evidence pointing to the contrary. What with almost every movie in the past made either in or about India that has received approbation abroad has had an underlying poverty & persecution theme. Mother India, Salaam Bombay and Lagaan to name a few. Yet, somehow, that suggestion does not convince me. The performances of almost the entire cast of Slumdog was fantastic. No denying that. But, is that enough to warrant 10 Oscar nominations? Are’nt there numerous movies with mindblowing performances that have’nt got nominated. I don’t know, your guess is as good as mine. To cut a long story short, the journey of ‘Slumdog’ thus far has been a little bit like its very own storyline. I’m almost certain that the makers of Slumdog were neither expecting nor prepared for its overwhelming success just like the protagonist of the movie kept surprising himself with every passing question. I know that what I’m about to say next will be unacceptable to a lot of you and I will be accused of trivializing and simplifying the reason for the movie’s phenomenal success. But, if I was in the ‘Hot Seat’ of “Who wants to be a Millionaire” having exhausted all my lifelines and the screen in front of me read

What is the reason for Slumdog Millionaire’s stupendous success?

  1. Its got a great plot and features some memorable performances
  2. Its extremely unique
  3. It highlights the dismal plight of a major section of the population of contemporary India
  4. It is written


No prizes for guessing what my answer would be.. ;)